? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? 
UWalter Salles ungenye yezinkomba ezinhle zebhayisikobho yanamuhla futhi, lapho ekhuluma ngobuciko besikhombisa, kulula ukumlalela. Namuhla umqondisi waseBrazil waveza "ukubaluleka kwe-cinema emhlabeni kuguquko, lapho kuphela amazwe akwaziyo 'ukuzivuselela' azokwazi ukuba neqhaza langempela okufanele alibambe."
Umqondisi weMotorcycle Diaries waxhasa i-Europe Day eCannes Film Festival futhi lapho wabhekisa ezindabeni zobuciko besikhombisa. «ICinema yikhono lokucabanga ngomunye umhlaba, umhlaba ongahle ube khona, ngoba ikutshela ukuthi ungubani nokuthi uyaphi, ngakho-ke, emhlabeni oshintshweni, inendima ebaluleke nakakhulu. ICinema ingasiza izwe ukuthi lizazi liphinde lizicabange, futhi uma singacabangi ukuthi yini esingayizuza, ngeke sikwenze, ”kugcizelela yena.
Umqondisi we "Central Station of Brazil" (1998) namuhla ubeyisimenywa esikhethekile ngosuku lwezimpikiswano oluhlelwe yi-European Commissioner for the Information and Media Society, uViviane Reding, kanye nomongameli we-Cannes Film Festival, uGilles Jacob. Phakathi kwabanye, abeNgqongqoshe Bamasiko aseYurophu abavela eFrance, eBelgium, ePortugal, e-Austria, eLatvia, e-Estonia naseLithuania, kanye nabamele abahlukene bemboni yamafilimu yaseFrance, bebekhona.
Izihloko ebezixoxwa ezingxoxweni bekungumphumela wobuchwepheshe obusha kwi-cinema yase-Europe kanye noguquko olulethwa yizingxenyekazi ezintsha zokusakaza, njenge-internet kanye ne-mobile telephony, ekwakheni nasekukhuliseni i-cinema, phakathi kokunye.
Ngokunjalo, impendulo enikezwe yiYurophu ekukhathazekeni kochwepheshe nabadwebi yahlolwa.