Abazalwane ababili baphinde bahlangane ngemuva kweminyaka emihlanu. Oyedwa ubesejele. Omunye ubambe inkunzi uthango oluyingozi manje ubaleka noDiana, indodakazi yakhe encane. Bobathathu baqala uhambo lokudabula i-Andalusia enobudlova, yenganekwane, yasendle neyasendle. Uhambo lapho kuvela khona amanxeba amadala esikhathi esidlule nalapho abazalwane baphoqeleka ukuba babuyisane ukuze basindise izimpilo zabo.
Kusuka kule ngxenye yesisekelo UKike Maíllo ukuqondisa okuthile okuhluke ngokuphelele ku- Eva. Indlela yakhe yasekuqaleni yokwenza i-cinema yamnika iGoya njengomvuzo, nefilimu eqanjiwe yesayensi yaseSpain. Bafunde kahle, ibhayisikobho eqanjiwe yesayensi yaseSpain. Futhi ngicabanga ukuthi kunezinto eziningana lo mqondisi abonakala ngazo. Esokuqala kungaba yileso sidingo esibonakala kufanele senze amafilimu angenandawo ezweni lethu, kuze kufike ezingeni lokufaka engozini enkulu, njengokuphikisana negagasi engicabanga ngalo. Kuyafaneleka futhi ukusho ukuthi ufuna nokwenza amafilimu ngesitembu somuntu siqu, esebenzisa inqubo yokuhlukanisa izithombe nezindlela ezimakiwe, ezihlukile. Lesi sakamuva singaba yisifundazwe sababhali bama-screen. Ngemuva kwalokho URafael Cobos (Isiqhingi esincane) sikujwayele ukudala amanye amaqiniso lapho izinkinga nezisusa zalokho esikuphilayo usuku nosuku kufanelekile. Futhi kufanele kusolwe ngombhalo oshiywe kancane endleleni. Ngicabanga ukuthi ukusebenzisana noFernando Navarro kube yikhona okumnikeze ukuthinta ukudala leyo Andalusia yasendle futhi enobudlova. Sithole esinye isibonelo esihle se-Andalusian cinema noir.
Ngoba umlando wethulwa kithina eMalaga ephethwe nguJosé Sacristan. Umlingisi amlingisayo akafuni ukuvumela umfundi oke waba njengendodana ukubaleka, uToro wakhe amthandayo (Mario Casas). Futhi ubudlelwano phakathi kwalaba bobabili, kuyo yonke ifilimu, buhunyushwa ngobuciko. Abalingisi ababili noLuis Tosar bagcwalisa ifilimu ngobukhona babo. Inkombandlela yobuciko ibiphethe ukuthwebula ezinye zezimpawu ze-Andalusian ngaphandle kwezinkolelo-ze. Kuyinto exakile engicabanga ukuthi ayikaze yenziwe. Kungenzeka Inyama yeNeon Ubuye awuthathe ngohlobo oluthe xaxa lwe-Tarantinian (manje abathi i-Asia) lwe-cinema yase-Andalusian. Mhlawumbe yingakho indima kaToro ilungele yona UMario Casas, esivele siyibonile njenge-protagonist kaCarne de Neon. Kepha le filimu i-avant-garde eyengeziwe futhi idala ukubukeka komhlaba okusungulwe e-Andalusia yokwakha nezokuvakasha, okubukeka sengathi ku-post-apocalytic futhi kuyesabeka. Futhi kuhle ngoba asikhonjiswa sona njengepheshana lesimangalo senhlalo, kepha njengesizinda somlando omnyama.
Kukhona into eyodwa kuphela abangayithanda abathandi bamafilimu ezenzo nalabo esibuka cinema yaseSpain. Futhi ngicabanga ukuthi izigcawu ezinobudlova zingaba nomona nge-cinema engcono kakhulu yangaphandle. Mhlawumbe okuningi bekulahlekile futhi ngicabanga ukuthi ifilimu ilahlekile esakhiweni esingokomzwelo ngenxa yokushoda kwesabelomali, ngiyethemba. Nginesiqiniseko sokuthi indawo yasekhishini, indawo esehhotela esekupheleni kwe-movie jikelele, kubize imali enkulu, imali enkulu. Futhi leyo ngozi yokungafiki ngisho nokukhokha izikweletu kumele ibongwe kumkhiqizi uLópez Lavigne, engiqonda ukuthi uthanda kakhulu ukuzifaka nokuzibeka engcupheni ngamaphrojekthi alolu hlobo. Ngemuva kwakho konke lokhu yi-cinema.
Ngezinto zakhe ezinhle nezimbi, uToro wenza "okuthile" ekhanda lakho. Abanye bethu baya kuma-movie benamathemba aphansi futhi safika ekhaya sijabule kakhulu. Mhlawumbe ukukhangisa kwehlulekile kuleyo ndaba. I-cinema eningi enjengale iyadingeka eSpain.