Mhlawumbe isimemezelo sokuthi le ifilimu ekalwe iminyaka engaphezu kwengu-100 akulona iqiniso, kodwa okucacayo ukuthi le filimu entsha kaHitoshi Matsumoto «R100»Akunjalo, ukude nayo kuzo zonke izethameli.
Ukubhekana nefilimu ngalo mkhiqizi wamafilimu waseJapan kuyinselelo futhi kufanele ufunde phakathi kwemigqa.
Mhlawumbe labo abangamazi lo menzi wamafilimu, nosomahlaya, bakholelwa ukuthi u- "R100" uyi- ukukuncisha ngaphezu kokuthukuthela kodwa iqiniso ukuthi ifilimu iyi- ukugxeka okunokhahlo endleleni yokuphila ezweni lakho.
Esebenzisa okungenangqondo, usikhombisa ukuthi umphakathi waseJapan unamehlo kangakanani. Futhi ukuthi indlela yokuphuma kulesi simo sengqondo ukuguqula i-masochism ibe lusizi.
U-R100 usitshela ngendoda eyathi, ngenxa yokudinwa ngokuphila impilo engadli kahle, yanquma ukujoyina iklabhu lusizi_mkhize obizwa ngokukhethekile Bondage. Iqiniso ngukuthi noma ngasiphi isikhathi owesifazane angavela amnike isibhaxu esihle, into ebukeka iyiyona emjabulisa kakhulu. Le kilabhu inomthetho, futhi lokho wukuthi imali ekhokhwayo ingeyonyaka owodwa futhi awunakukhansela inkontileka ngalesi sikhathi nganoma yisiphi isikhathi.
Ifilimu iqala njengokuthakazelisa phakathi nesiqingatha sokuqala bese igcina ngokungena ukuziphendulela kubhebhetheke njengoba sesisondela ekupheleni kwayo, into engacasula umbukeli ongazi ukuthi ubhekene nani.
Ifilimu inombono oyingqayizivele kusukela uHitoshi Matsumoto esola omunye wabalingiswa bakhe, ngoba lokhu esikubonayo akuyona nje into yokubuka kuqala ibhayisikobho umenzi wefilimu ayenzele yena iminyaka 100. Futhi siyakwazi lokho ngoba ngesikhathi sefilimu singabona ingxenye yeqembu kusuka kuleyo filimu ikhuluma nabadidiyeli abathukutheliswe yilokhu abakubonayo.
UHitoshi Matsumoto uyazi imizwa efikelwa yifilimu yakhe entsha futhi ikwenza kucace efilimini uqobo ngalokhu kulandelana okukhombisa kuphela ukuthi amaJapane akanandaba nokuthi angacabangani ngomsebenzi wakhe, kepha ukuthi inhloso yakhe kuphela ukukhombisa umbono wakhe umphakathi ahlala kuwo.
Isilinganiso: 7/10
Imininingwane engaphezulu - Preview Sitges 2014: “R100? nguHitoshi Matsumoto