Abazalwana ababini badibana kwakhona emva kweminyaka emihlanu. Omnye ebesentolongweni. Omnye uphange uthango oluyingozi ngoku ubaleka noDiana, intombi yakhe encinci. Abathathu baphuma kuhambo olunobundlobongela, intsomi, i-Andalusia yasendle. Uhambo apho kuvela khona amanxeba amadala exesha elidlulileyo nalapho abazalwana banyanzelwa ukuba baxolelanise ukuze basindise ubomi babo.
Ukusuka kweli nxalenye lesiseko UKike Maíllo ukwalathisa into eyahluke ngokupheleleyo kwi eva. Indlela yakhe yoqobo yokwenza i-cinema yamnika iGoya njengomvuzo, kunye nefilimu yaseSpain yesayensi. Bafunde kakuhle, imovie yesayensi yaseSpeyin. Kwaye ndicinga ukuba zininzi izinto athe lo mlawuli wabonwa ngazo. Eyokuqala iya kuba sisidingo ekubonakala ngathi kufuneka senze iifilimu ezingenandawo kwilizwe lethu, ukuya kwinqanaba lokubeka emngciphekweni omkhulu, njengokuya ngokuchasene nomsinga ndicinga ukuba. Kukwafanelekile ukukhankanya ukuba ngaphezulu koko ufuna ukwenza iifilimu ngesitampu sobuqu, esebenzisa ubuchule ukwahlula iifoto kunye nolunye uphawu olumiselweyo. Le yokugqibela inokuba liphondo lababhali-skrini. Emva koko URafael Cobos (Isiqithi esincinci) siqhele ukudala ezinye izinto ezikhoyo apho iingxaki kunye nenkuthazo yento esiphila ngayo imihla ngemihla kufanelekile. Kukwafanele ukubekwa ityala ngeskripthi esishiyeke kancinci ngasendleleni. Ndicinga ukuba ukuhlangana noFernando Navarro yeyona nto imnike umnxeba wokwenza iAndalusia yasendle enobundlobongela. Sifumene omnye umzekelo omhle weAndalusian cinema noir.
Kungenxa yokuba imbali ithiwe thaca kwiMalaga elawulwa nguJosé Sacristan. Umlingiswa awudlalayo akafuni ukuvumela umfundi oye waba ngathi ngunyana ukuba abaleke, uToro wakhe amthandayo (uMario Casas). Kwaye ubudlelwane phakathi kwaba babini, kuyo yonke ifilimu, butolikwa ngokufanelekileyo. Abadlali ababini kunye noLuis Tosar bazalisa ifilimu ngobukho babo. Umkhombandlela wobugcisa ubuphethe ekubambeni ezinye iisimboli zeAndalusian ngaphandle kokuba zizifaniso. Yinto engaqhelekanga endicinga ukuba ayikaze yenziwe. Ingayiyo Inyama yeNeon Uyayithimba kunye nohlobo olungaphezulu lweTarantinian (ngoku bathi yiAsia) ye-Andalusian cinema. Mhlawumbi yiloo nto indima iisuti Toro UMario Casas, esele siyibonile njenge protagonist kaCarne de Neon. Kodwa lo mboniso bhanya-bhanya ubalasele ngakumbi kwaye wenza umhlaba owenziwe kwi-Andalusia yolwakhiwo kunye nokhenketho, olubonakala ngathi luyi-apocalytic kwaye luyoyikeka. Kwaye kulungile kuba ayiboniswa kuthi njengephamflethi yebango loluntu, kodwa njengemvelaphi yembali emnyama.
Inye kuphela into enokuthakazelelwa kuphela ngabathandi bemiboniso bhanyabhanya kunye nabo babukele i-cinema yaseSpain. Kwaye ndicinga ukuba izigcawu ezinobundlobongela zinokumonelwa yeyona bhanyabhanya ibalaseleyo yelinye ilizwe. Mhlawumbi ezinye zilahlekile kwaye ndicinga ukuba ifilimu ilahlekile kumxholo weemvakalelo ngenxa yokunqongophala kohlahlo-lwabiwo mali, ndiyathemba. Ndiqinisekile indawo yekhitshi, indawo yehotele ekupheleni komdlalo bhanyabhanya ngokubanzi, ibize kakhulu, imali eninzi. Kwaye ke umngcipheko wokungafiki nokuza kuhlawula amatyala kufuneka ubulelwe kumvelisi uLópez Lavigne, endiqondayo ukuba uyakuthanda ukuzilungiselela nokuthatha umngcipheko ngeeprojekthi zolu hlobo. Emva kwayo yonke le cinema.
Ngezinto zakhe ezilungileyo nezingalunganga, uToro wenza "into" entlokweni yakho. Abanye bethu baya kwimiboniso bhanyabhanya benolindelo oluphantsi kwaye safika ekhaya sonwabile. Mhlawumbi intengiso ayiphumelelanga kuloo nto. Enye i-cinema enje iyafuneka eSpain.