The films shortlisted for the Fénix Awards 2015.
Among them we find several Spanish films such as 'Magical Girl', 'The boy' or 'The minimal island', three titles that triumphed last year at the Goya Awards.
Fiction
'3 beauties' by Carlos Caridad-Montero (Venezuela)
'600 miles' by Gabriel Ripstein (Mexico)
'Alias María' by Jose Luis Rugeles (Argentina, Colombia and France)
'As mil e uma noites (vol. 1, 2 and 3) by Miguel Gomes (Germany, France and Portugal)
Chico Texeira's 'Absence' (Brazil, Chile and France)
'Branco sai, preto fica' by Adirley Queirós (Brazil)
'Tropical carmine' by Rigoberto Pérezcano (Mexico)
'Cavalo Dinheiro' by Pedro Costa (Portugal)
'Chronic' by Michel Franco (France and Mexico)
'Dauna: what the river carries' by Mario Crespo (Venezuela)
'Sand dollars' by Israe´Cárdenas and Laura Amelia Guzmán (Argentina, Mexico and the Dominican Republic)
'Two shots' by Martín Rejtman (Germany, Argentina, Chile and the Netherlands)
'The Embrace of the Serpent' by Ciro Guerra (Argentina, Colombia and Venezuela)
'El cielo del centauro' by Hugo Santiago (Argentina and France)
'The disappeared elephant' by Javier Fuentes-León (Colombia, Spain and Peru)
'The fire' by Juan Schnitman (Argentina)
'El Niño' by Daniel Monzón (Spain and France)
'Ela volta na quinta' by André Novais Oliveira (Brazil)
'Favula' by Raúl Perrone (Argentina)
'Histories of the canal' by Abner Benaim, Carolina Borrero, Luis Franco, Pinky Mon and Pituka Ortega Heilbron (Panama)
'Ixcanul' by Jayro Bustamante (France and Guatemala)
'The perfect dictatorship' by Luis Estrada (Mexico)
'The minimal island' by Alberto Rodríguez (Spain)
'The dog woman' by Laura Citarella and Verónica Llinás (Argentina)
'The work of the century' by Carlos M. Quintela (Germany, Argentina, Cuba and Switzerland)
'The naked screen' by Florence Jaugey (Nicaragua)
'La patota' by Santiago Miter (Argentina, Brazil and France)
'The Princess of France' by Matías Piñeiro (Argentina)
'The land and the shadow' by César Augusto Acevedo (Brazil, Chile, Colombia, France and the Netherlands)
'Someone's life' by Ezequiel Acuña (Argentina)
'The voice over' by Cristián Jiménez (Canada, Chile and France)
'The high pressures' by Ángel Santos (Spain)
'The chosen ones' by David Pablos (France and Mexico)
'The dark springs' by Ernesto Contreras (Mexico)
'The cows with glasses' by Alex Santiago Pérez (Puerto Rico)
'Empty cans' by Herib Godoy (Paraguay)
'Loreak' by Jon Garaño and Jose Mari Goenaga (Spain)
'The romantic exiles' by Jonás Trueba (Spain)
'Magical Girl' by Carlos Vermut (Spain and France)
'Malacrianza' by Arturo Menéndez (El Salvador and Mexico)
'Mar' de Cominga Sotomayor (Argentina and Chile)
'Negotiator' by Borja Cobeaga (Spain)
'NN' by Héctor Gálvez (Germany, Colombia, France and Peru)
'Ochentaisiete' by Anahí Hoeneisen and Daniel Andrade (Germany, Argentina and Ecuador)
'Forgotten' by Carlos Bolado (Bolivia)
'Permanencia' by Leonardo Lacca (Brazil)
'Guardian Dog' by Bacha Caravedo and Daniel Higashionna (Peru)
'What hours ela volta' by Anna Muylaert (Brazil)
'Blue Blood' by Lírio Ferreira (Brazil)
'Sinfonia da necrópole' by Juliana Rojas (Brazil)
'A night without the moon' by Germán Tejeira (Argentina and Uruguay)
'Winds of August' by Gabriel Mascaro (Brazil)
'Trip' by Paz Fábrega (Costa Rica)
'Videophilia (and other syndromes) by Juan Daniel Molero (Peru)
'Violencia' by Jorge Forero (Colombia and Mexico)
'Carrot' by Enrique Buchichio (Argentina and Uruguay)
Documentary
'Alfaro vive carajo' by Mauricio Samaniego Ponce (Ecuador)
'Allende my grandfather allende' by Marcia Tambutti Allende (Chile and Mexico)
'Caja 25' by Delfina Vidal and Mercedes Arias (Panama)
'Canción de Barrio' by Alejandro Ramírez Anderson (Cuba)
'Letter to a shadow' by Daniel Abad and Miguel Salazar (Colombia)
New Girls 24 Hours' by Mabel Lozano (Argentina, Colombia, Spain, Paraguay and Peru)
'Body of lyrics' by Julián D'Angiolillo (Argentina)
'The mother-of-pearl button' by Patricio Guzmán (Chile, Spain and France)
'The Bolivian case' of Violeta Ayala (Australia, Bolivia, Colombia and USA)
'El codo del diablo' by Antonio Jara Vargas and Ernesto Jara Vargas (Costa Rica and Guatemala)
'The room of bones' by Marcela Zamora (El Salvador and Mexico)
'Elogio del cine' by Sergio Valdes Pedroni (Costa Rica and Guatemala)
'Francisco Massiani: brief and arbitrary history of my life' by Manuel Guzmán Kizer (Venezuela)
'Daughter of the lagoon' by Ernesto Cabellos (Peru)
'Jia Zhang Ke' by Walter Salles (Brazil and France)
'Made in Honduras' by Mateo Crossa Niell and Opus Social Media (Honduras and Mexico)
'Not everything is vigil' by Hermes Paralluelo (Colombia and Spain)
'The Last Colony' by Juan Agustín Márquez (Puerto Rico)
'The Troublemaker, Behind the Scenes of the United Nations' by Roberto Salinas (Italy, Nicaragua and USA)
'Your parents will return' by Pablo Martínez Pessi (Uruguay)
'Last conversas' by Eduardo Coutinho (Brazil)
'Visit to memories and confiscations' by Manoel de Oliveira (Portugal)
'Yo soy la salsa' by Manuel Villalona (Dominican Republic)