Interview with the actress Inés Efrón

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The award-winning Argentine actress Inés Efrón is going through a great moment in her career and they do not stop calling her for new projects related to cinema. The last film he released, with very little difference from The Fish Boy, it's the romantic comedy Loving loneliness, which is already in theaters in Argentina.

Marina Zucchi, from the Clarín newspaper, spoke exclusively with Efrón, a shy young woman who is unleashed when the movie camera turns on, getting the best of himself. And it is that at 24 years old, this brunette with green eyes, surprises with her daily tranquility, which contrasts with the characters she plays for the big screen.

Inés Efrón jumped into public consideration for her remarkable work in XXY, Lucia Puenzo, which earned him international critical acclaim and an avalanche of interviews and media appearances. The director Lucia Puenzo summoned her again to The Fish Boy, and these days the film premiered Loving Solitude.

Throughout the note, the actress He gives his opinion on intimate-minimalist cinema, on its relationship with TV and the waits between film and film.

The interview, below:

What do you think of movies where big things don't happen, those where the camera chases tiny stories?
I like them. I have no prejudice. Maybe my grandmother would. For example, once he went to see me at a play with the light off where you could barely see lines and he said to me: It was all black! And that seemed interesting to others. This is a movie where great things don't happen. There is no shooting nor does a bomb drop. It is like finding sound in silence.
Is the moment of promoting your films still costing you horrors or did you learn to handle shyness?
Before, I believed that by doing press and giving myself to that, I was less of an actress. Now I realize that I can do it, play and that's it. I am shy, but also very opposite. If I go into a place where I can feel uncomfortable I can become very withdrawn, but if I am comfortable I can become expansive.
Is it strange to you that they still haven't summoned you from TV?
No. There will be no papers for me. A French actress told me that it was frowned upon there for a movie actress to do TV. I don't see it that way. But I don't have a TV at home. I do not know why.
You don't study theater in the meantime and you don't do television. When you're not filming, doesn't that bump make you desperate, not having a project?
A bit. I feel that my theater school is life, what happens to me and the people I meet. I am of little action, but things thank God come to me. And it happens to me that when nobody calls me I don't know if I'm an actress. That's why I always say that acting is a career for life. By having so much free time I can become a creative in living. How is that? I work so that my daily life becomes creative among so many gaps. In other words, I become creative in the emptiness of living.

Source: Clarín


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